Ричард
hoadley
musique
through_the_sharp_hawthorn

through the sharp hawthorn (blows the cold wind)

 

1987, rev. 1994

 

for flute and piano

semaphore

semaphore

 

2014

 

automatic music for dancers, musicians, computer and live score projection

music and programming by Richard Hoadley; text by Phil Terry; choreography by Jane Turner

through_the_sharp_hawthorn

through the sharp hawthorn (blows the cold wind)

 

1987, rev. 1994

 

for flute and piano

how_to_play_the_piano

how to play the piano

2015

automatic music for piano and computer

sada_music

music index

edge_violations

edge violations

 

2016

 

for clarinet(s), computers, and projections

texts by Phil Terry

fluxus

fluxus

2012

automatic music for piano and computer

 

photograph courtesy of julio d'escrivan

calders_violin

calder's violin

 

2011

 

automatic music for violin and computer

hoadley_hall_and_brown_poster

choreograms

 

2016

 

automatic music for dancers, musicians,

computer and live score projection

music and programming by Richard Hoadley;

text by Phil Terry;

choreography by Jane Turner

homage_to_cervantes

homanaje a cervantes

 

2017

 

automatic music for violin, computer and live projections

a

a continual snowfall of petrochemicals

 

1998-9

 

automatic music for computers and Yamaha SY synthesisers

 

This image of Jupiter’s southern hemisphere was taken by NASA’s Juno
spacecraft on October 24 at 2:11 p.m. EDT (11:11 a.m. PDT). At the time the image was
taken, Juno was 20,577 miles (33,115 km) from the tops of the clouds of the planet at
a latitude of minus 52.96 degrees. The color-enhanced view captures one of the white
ovals in the ‘String of Pearls,’ one of eight massive rotating storms at 40 degrees
south latitude on the gas giant.
Image credit: NASA / JPL-Caltech / SwRI / MSSS / Gerald Eichstaedt / Sean Doran.

edge_violations

edge violations

 

2016

 

for clarinet(s), computers, and projections

texts by Phil Terry

unthinking_things

unthinking things

 

2018-present

 

automatic music for choir, material objects,

electronics and live score projection

music and programming by Richard Hoadley

text by Bishop George Berkeley

unthinking_materials

unthinking things

 

2018-present

 

automatic music for choir, material objects,

electronics and live score projection

 

music and programming by Richard Hoadley

text by Bishop George Berkeley

the_copenhagen_interpretation

the copenhagen interpretation

 

1999

 

automatic music for four computers and four synthesisers

shilbottle_cobbles

shilbottle cobbles

 

1988-1991

 

wind orchestra

 

 

Listening to Lulu, in our hearth we burn,
as we hear the high Cs rise in stereo,
what was lush swamp club-moss and tree-fern
at least 300 million years ago.
Shilbottle cobbles, Alban Berg high D
lifted from a source that bears your name,
the one we hear decay, the one we see,
the fern from the foetid forest, as brief flame.

Tony Harrison, v

five_pieces_in_the_alto_clef

five pieces in the alto clef

 

1982

 

for viola

calders_violin

calder's violin

 

2011

 

automatic music for violin and computer

 

photograph Ingre's Violin by Man Ray, 1924