2018
a video by Chris Frazer Smith,
music by Richard Hoadley
In collaboration with Argentinian tango,
Twine is a contemporary choreography of intimacy for two exceptional dance artists.
2016
automatic music for dancers, musicians, sensing devices, hangings and computer
music and programming by Richard Hoadley; choreography by Jane Turner; hangings by
2018-present
automatic music for choir, material objects,
electronics and live score projection
music and programming by Richard Hoadley
text by Bishop George Berkeley
1989
commissioned by charterhouse choir
versions for choir and organ and choir and brass group
runner-up in the lewis silkin choral music prize 1989
2018-present
automatic music for choir, material objects,
electronics and live score projection
music and programming by Richard Hoadley
text by Bishop George Berkeley
2012
automatic music for piano and computer
also
2012-3
automatic music for sculpture, dancer(s), instrument ('cello) and computer
photo credit to julio d'escrivan
1994
for large orchestra
commissioned by the Cambridge-Heidelberg-Montpelier Orchestra
with funds provided by Eastern Arts
a continual snowfall of petrochemicals
1998-9
automatic music for computers and Yamaha SY synthesisers
This image of Jupiter’s southern hemisphere was taken by NASA’s Juno
spacecraft on October 24 at 2:11 p.m. EDT (11:11 a.m. PDT). At the time the image was
taken, Juno was 20,577 miles (33,115 km) from the tops of the clouds of the planet at
a latitude of minus 52.96 degrees. The color-enhanced view captures one of the white
ovals in the ‘String of Pearls,’ one of eight massive rotating storms at 40 degrees
south latitude on the gas giant.
Image credit: NASA / JPL-Caltech / SwRI / MSSS / Gerald Eichstaedt / Sean Doran.
2018-present
automatic music for choir, material objects,
electronics and live score projection
music and programming by Richard Hoadley
text by Bishop George Berkeley
2014
automatic music for dancers, musicians, computer and live score projection
music and programming by Richard Hoadley; text by Phil Terry; choreography by Jane Turner