
fluxus
2012
automatic music for piano and computer
photograph courtesy of julio d'escrivan

choreograms
2016
automatic music for dancers, musicians, computer and live score projection
music and programming by Richard Hoadley; text by Phil Terry; choreography by Jane Turner

quantum canticorum
2013
automatic music for dancers, clarinet, computer and live score projection

edge violations
2016
for clarinet(s), computers, and projections
texts by Phil Terry

fluxus
2012
automatic music for piano and computer
shilbottle cobbles
1988-1991
wind orchestra
Listening to Lulu, in our hearth we burn,
as we hear the high Cs rise in stereo,
what was lush swamp club-moss and tree-fern
at least 300 million years ago.
Shilbottle cobbles, Alban Berg high D
lifted from a source that bears your name,
the one we hear decay, the one we see,
the fern from the foetid forest, as brief flame.
Tony Harrison, v

in principio
1989
commissioned by charterhouse choir
versions for choir and organ and choir and brass group
runner-up in the lewis silkin choral music prize 1989

december mobile
2016-18
for string sextet: two violins, two violas, two violoncellos

edge violations
2016
for clarinet(s), computers, and projections
texts by Phil Terry

four archetypes
1994
for large orchestra
commissioned by the Cambridge-Heidelberg-Montpelier Orchestra
with funds provided by Eastern Arts

sextet (still life)
1987, rev. 1988
for string sextet: two violins, two violas, two violoncellos