december mobile

 

2016-18

 

for string sextet: two violins, two violas, two violoncellos

calder's violin

 

2011

 

automatic music for violin and computer

 

photograph Ingre's Violin by Man Ray, 1924

unthinking things

 

2018-present

 

automatic music for choir, material objects,

electronics and live score projection

music and programming by Richard Hoadley

text by Bishop George Berkeley

in principio

 

1989

 

commissioned by charterhouse choir

 

versions for choir and organ and choir and brass group

runner-up in the lewis silkin choral music prize 1989

edge violations

 

2016

 

for clarinet(s), computers, and projections

texts by Phil Terry

fluxus

 

2012

 

automatic music for piano and computer

choreograms

 

2016

 

automatic music for dancers, musicians,

computer and live score projection

music and programming by Richard Hoadley;

text by Phil Terry;

choreography by Jane Turner

unthinking things

 

2018-present

 

automatic music for choir, material objects,

electronics and live score projection

 

music and programming by Richard Hoadley

text by Bishop George Berkeley

The Ruskin Songbook 2018

2018

cover image taken from unthinking things 2018

semaphore

 

2014

 

automatic music for dancers, musicians, computer and live score projection

music and programming by Richard Hoadley; text by Phil Terry; choreography by Jane Turner

through the sharp hawthorn (blows the cold wind)

 

1987, rev. 1994

 

for flute and piano

concertino

 

1988

 

for clarinet, violin, violoncello and piano

quantum canticorum

 

2013

 

automatic music for dancers, clarinet, computer and live score projection

fluxus

2012

automatic music for piano and computer

homanaje a cervantes

 

2017

 

automatic music for violin, computer and live projections

unthinking things

 

2018-present

 

automatic music for choir, material objects,

electronics and live score projection

music and programming by Richard Hoadley

text by Bishop George Berkeley

edge violations

 

2016

 

for clarinet(s), computers, and projections

texts by Phil Terry

shilbottle cobbles

 

1988-1991

 

wind orchestra

 

 

Listening to Lulu, in our hearth we burn,
as we hear the high Cs rise in stereo,
what was lush swamp club-moss and tree-fern
at least 300 million years ago.
Shilbottle cobbles, Alban Berg high D
lifted from a source that bears your name,
the one we hear decay, the one we see,
the fern from the foetid forest, as brief flame.

Tony Harrison, v